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DTSTART;VALUE=DATE:20241122
DTEND;VALUE=DATE:20250310
DTSTAMP:20250530T082717Z
CREATED:20241028T082906Z
LAST-MODIFIED:20250530T082717Z
UID:7001-1732233600-1741564799@www.museoman.it
SUMMARY:El Greco. Dialogue Between Two Masterpieces
DESCRIPTION:In collaboration with the Accademia Nazionale di San Luca\, Rome and Musei Civici di Reggio Emilia \nFollowing the success of the exhibition dedicated to the ideal dialogue between Giotto and Lucio Fontana\, centered on gold and its symbolism\, the MAN Museum presents a new\, original project for Christmas 2024. This exhibition will explore the dialogue between two masterpieces by El Greco\, born Domínikos Theotokópoulos (1541–1614)\, the renowned master of Spain’s Golden Age. El Greco is famous for his elongated forms\, luminescent tones\, and the intense rhythm of lines and gestures on canvas. \nDubbed the “Delacroix of the Renaissance” and the “Nabi of beautiful icons\,” and admired by Cézanne and Picasso—who proclaimed his debt with the phrase\, “Yo soy El Greco!”—El Greco stands as one of the greatest figures of late Renaissance European painting. \nBorn in Crete in the first half of the sixteenth century\, then part of the Republic of Venice\, he moved to Venice in 1567. \nIn search of a new way of painting\, a dynamic dimension that departed from the two-dimensional\, abstract\, and static universe of Eastern tradition\, he worked in the workshop of the elderly Titian. From him\, he learned the expressive use of color: vibrant\, intense\, thick\, luminous\, and spiritual. In Venice\, he was struck by the sense of movement and the dramatic use of light by Tintoretto. From Jacopo Bassano\, he absorbed the formal elements of pictorial narration\, the use of perspective\, and architectural backgrounds.    \nAfter a brief and tumultuous stay in Rome as a guest of Cardinal Alessandro Farnese\, he moved to Toledo\, dreaming of winning the favor of King Felipe II and being appointed the official painter of the cathedral. Although he did not achieve this honor\, he found prestigious commissions in the Spanish city that allowed him to develop his vibrant pictorial language\, characterized by sudden bursts of light and bold twists of fluid bodies\, which impart a keen expression of their feelings and the movements of the soul.  \nThe MAN\, thanks to a collaborative agreement with the Accademia Nazionale di San Luca in Rome\, presents the recent discovery of a masterpiece by El Greco\, The Adoration of the Magi. This work remained unknown for centuries and has only recently been attributed to the Cretan genius\, thanks to a careful restoration and a scientific study campaign that has unveiled its troubled history. A documentary film produced by the MAN and directed by Stefano Conca Bonizzoni\, featuring contributions from Claudio Strinati\, Fabrizio Biferali\, and Fabio Porzio\, introduces visitors to the exhibition\, which also includes a second masterpiece\, The Blessing Christ from the Civic Museums of Reggio Emilia\, returning from an important retrospective of the master at the Royal Palace of Milan.
URL:https://www.museoman.it/en/event/el-greco-dialogue-between-two-masterpieces/
CATEGORIES:MAN
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241122
DTEND;VALUE=DATE:20250310
DTSTAMP:20250530T082659Z
CREATED:20241028T082920Z
LAST-MODIFIED:20250530T082659Z
UID:7002-1732233600-1741564799@www.museoman.it
SUMMARY:Christiane Löhr. Accumuli
DESCRIPTION:curated by Chiara Gatti with an essay by Bruno Corà – from November 22 to March 9\, 2025. \nArchitectures of nature. Domes of seeds and cathedrals of blades of grass. A large installation by the German-born artist\, Tuscan by adoption\, dots the first floor of the museum with diaphanous\, almost impalpable sculptures; an ode to the ethereality of nature and\, all the same\, to its complexity.\n \nThe talented and masterful hands of Christiane Löhr create sculptures made of dandelions\, stems\, pods\, or horsehair and hoist tapered arboreal structures up into the space\, edifying minimalist landscapes. \nSmall temples consisting of a plethora of abstract forms are enriched for this occasion with a special tribute to Sardinia: tiny piles of grains or seeds conjure towers and Nuragic constructions. In Löhr’s exploration\, natural inspiration is not a mere explanation of the vegetation and its species\, though. Her reflection raises matter to a dimension of radical abstraction and absolute form\, where paramount importance is attributed to balance and proportion between the elements\, sense of the space and value of the void. The exhibition also features a selection of pastel\, graphite\, and ink drawings on paper; the fruit of a similar sculptural process\, in which the fibres of paper are rubbed and scratched as if it were plastic. \n  \nPortrait Christiane Löhr / Foto Salvatore Mazza \nChristiane Löhr\, (Wiesbaden\, Germany\, 1965) lives and works in Prato and Cologne. She graduated from the Kunstakademie in Düsseldorf with Jannis Kounellis in 1994; under his supervision\, she completed her Master of Arts in 1996. Her works were exhibited in several venues and art centres: Chaumont-sur-Loire\, Haus am Waldsee\, Museo e Real Bosco in Capodimonte\, Museo San Fedele in Milan\, Wuppertal\, Kunsthaus Baselland\, Muttenz\, MART in Rovereto\, Villa Panza in Varese\, Centro Pecci in Prato. In 2001\, she exhibited at the 49th Venice Art Biennale curated by Harald Szeemann and\, in 2016\, she was awarded the Premio Pino Pascali.
URL:https://www.museoman.it/en/event/christiane-lohr-accumuli/
CATEGORIES:MAN
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241122
DTEND;VALUE=DATE:20250310
DTSTAMP:20250530T082649Z
CREATED:20241028T082931Z
LAST-MODIFIED:20250530T082649Z
UID:7037-1732233600-1741564799@www.museoman.it
SUMMARY:Una Szeemann. Scenafenomenica
DESCRIPTION:  \ncurated by Elisabetta Masala with an essay by Juliette Desorgues \nMagic and mythology\, classical traditions and archaic culture merge in the exploration advanced by the Swiss artist\, who experiments with materials imbued with strong expressive value\, giving life to a choral narrative relying on epic nuances. \nDivinities of the earth and the night\, arcane symbols\, the beneficial properties of the plants and an ancient wisdom engulf Una Szeemann’s works with mystery and primordial memories\, as the wild sentiment of the woods takes shape through highly suggestive abstract forms. \nThe project designed for the MAN is tied to the land of Sardinia\, its harsh surroundings\, the folktale of Janas\, and the archaeological remnants in its landscape\, where nature seems to fossilise\, and blend with the rocks and peaks of Supramonte. \n   \nUna Szeemann – Courtesy dell’artista \nUna Szeemann (Locarno\, Switzerland\, 1975) lives and works in Zürich and Tegna. She studied drama in Milan. Her works were showcased at several international exhibitions\, including Kunsthaus Zürich\, Kunsthalle Winterthur\, Museo Cantonale d’Arte in Lugano\, Kunstmuseum Luzern\, Kunstverein Hamburg\, Belvedere 21 in Vienna\, Venice Art Biennale\, Busan Biennale\, Lyon Biennale\, and Manifesta 11 in Zürich. She lectures at several institutions and universities\, including the Zürcher Hochschule der Künste (ZHdK) and the Haute École d’Art et de Design in Geneva (HEAD).
URL:https://www.museoman.it/en/event/una-szeemann-scenafenomenica/
CATEGORIES:MAN
ATTACH;FMTTYPE=image/jpeg:https://www.museoman.it/wp-content/uploads/2024/10/Allestimento-Scenefenomenica_Foto-Alessandro-Moni.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241122
DTEND;VALUE=DATE:20250310
DTSTAMP:20250530T082640Z
CREATED:20241028T082939Z
LAST-MODIFIED:20250530T082640Z
UID:7097-1732233600-1741564799@www.museoman.it
SUMMARY:Alessandro Biggio. Filira
DESCRIPTION:curated by Chiara Gatti with an essay by Caterina Riva \nThe Cagliari-born artist presents an unprecedented project\, Filira (Phillyrea)\, showcasing a new series of works in an exhibit designed as an all-embracing environment where canvases and sculptures are connected to each other in a systematic and all the same unitary overall vision. Known for his exploration of ash generated by the combustion of plants from his garden in Calasetta\, which he turns into a plastic medium to create sculptures characterised by a fragile appearance\, Biggio has recently experimented with a form of painting using the juice of phillyrea berries that he squeezes to produce a dark ochre colour with purple nuances. Just as his series of ash sculptures is the result of an authentic reflection on the cycle of life and the elements\, the medium of painting transcribes imprints of nature\, in its metamorphosis and consumption. \nLingering in the background is the reference to a Greek myth: the nymph Philyra (Filira)\, daughter of Oceanus and Tethys\, was loved by Chronos from whom she tried to escape by transforming herself into a mare. But Chronos\, transforming himself into a stallion\, reached her and raped her. Philyra gave birth to a son\, a hybrid creature\, the centaur Chiron. Shocked at the sight of her son\, she asked Zeus to be transformed into a shrub that would take her name\, phillyrea. With the extract of the berries of this plant\, Biggio uses the canvas to trace the vestiges of an ephemeral vegetation. \n. \n\nA Biggio_portrait_ph Barbara Pau \nAlessandro Biggio  \n\n(Cagliari\, 1975)\, lives and works in Cagliari and Calasetta. He graduated in economics and now dedicates himself to aesthetic research. In his artistic practice\, the process of exploration and experimentation on matter plays a fundamental role. His sculptures\, installations\, and monotypes are always the result of layered gestures and phases\, whose final result represents a possible moment of balance\, between control and loss of control over the process\, between decay and form. His participation in solo and group exhibitions in public and private spaces includes: Gherdëina Contemporary Art Biennale\, Museo MAN of Nuoro\, Fondazione di Sardegna\, Museo Marino Marini in Florence\, Gallerie d’Arte Moderna e Contemporanea of Cagliari\, Galerie Stadtpark Krems\, GAMeC in Bergamo\, CLER in Milan\, Fondazione Bartoli-Felter in Cagliari. In 2020\, he was awarded the Pollock-Krasner Foundation Grant. \n 
URL:https://www.museoman.it/en/event/alessandro-biggio-filira/
CATEGORIES:MAN
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