BEGIN:VCALENDAR VERSION:2.0 PRODID:-//MAN_Museo d'Arte della Provincia di Nuoro - ECPv6.17.0//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:MAN_Museo d'Arte della Provincia di Nuoro X-ORIGINAL-URL:https://www.museoman.it/en/ X-WR-CALDESC:Events for MAN_Museo d'Arte della Provincia di Nuoro REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20080330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20081026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20090329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20091025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20100328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20101031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20110327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20111030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20120325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20121028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20130331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20131027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20140330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20141026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20150329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20151025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20160327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20161030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20170326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20171029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20180325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20181028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20190331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20191027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20090904 DTEND;VALUE=DATE:20241005 DTSTAMP:20240423T082439Z CREATED:20240423T082439Z LAST-MODIFIED:20240423T082439Z UID:4965-1252022400-1728086399@www.museoman.it SUMMARY:Giusy Calia DESCRIPTION:Giusy Calia\nLove\, please remember\n\n 04.09 – 04.10.2009 \n\n\n\n\n\nFor Autumn in Barbagia\, the MAN\, in collaboration with the Municipality of Bitti\, presents Giusy Calia’s exhibition Love\, please remember . The works exhibited in the room of the Multimedia Museum of Canto a Tenore are accompanied by a video of the artist herself. \n≪The multiple Ophelias who inhabit those worlds of images that Giusy Calia has long created for them\, are beautiful\, silent\, solitary creatures: they emerge\, in those worlds of waters and reflected lights\, of mud and flowers\, graceful and intangible like water lilies\, absorbed in an endless dream\, in a secret\, dilemmatic and painful reminder\, like a nocturnal and starless navigation≫ (Gavina Cherchi). URL:https://www.museoman.it/en/event/giusy-calia-2/ CATEGORIES:Focus Sardegna END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240617 DTSTAMP:20240423T090029Z CREATED:20240417T140256Z LAST-MODIFIED:20240423T090029Z UID:4102-1711584000-1718582399@www.museoman.it SUMMARY:The imagined affinities DESCRIPTION:THE EXHIBITION\n\n\nThe collection of the MAN museum in Nuoro\, the most important collection\, is back on display of modern and contemporary art linked to the history of Sardinia. \nFrom Mario Sironi to Maria Lai\, from Francesca Devoto to Giovanni Campus\, from Costantino Nivola to Lisetta Carmi. A collective heritage that is rooted in the memory of the place and opens the horizon to the languages ​​of the younger generations. \nThe MAN museum in Nuoro is pleased to announce The imagined affinities\, a large exhibition dedicated to the historical collection that comes out of storage for a reinterpretation and rearrangement project. The path is aimed at the participation of the local community\, to activate a reflection on identity issues\, but with a sensitive eye to universal perspectives. \nFrom the microhistory to the macrohistory of man: Sardinia\, its art\, its culture\, represent an exemplary case of major facts\, a concentration of events that reflect the Italian ones\, in a limited but fundamental dimension as a piece of a broad horizon. \nFrom the realism of Antonio Ballero to the divisionism of the former Sironi \, from returning to the order of Ciusa Romagna to the bourgeois realism of Francesca Devoto \, from the abstractionism of Mauro Manca to the extraordinary lives of Little boy \, Nivola And Painters \, by the bursting and touching creativity of Maria Lai\, up to the research of the latest generations. In this case\, site-specific installations created for the museum spaces as part of prizes won thanks to the Ministry’s tenders stand out and where the names of emerging Sardinians alternate with others\, called to inhabit and tell the story of the island. \nA choice of 100 masterpieces out of a thousand works from the permanent collection punctuate a path rethought in the light of new investigations and in the aftermath of the publication of the catalog published by Officina Libraria with the title “100 Masterpieces from the MAN collection”. \nA 360-degree survey of acquisitions\, donations and loans allows us to read the connections between subjects and authors\, iconographies and variants in a different way. \nThe installation inspired by a sort of time machine – unlike the classic chronological progression – creates short circuits\, comings and goings\, flashbacks and leaps into the contemporary – in order to stimulate possible affinities\, legacies of style or content in the visitor. The tributes to are important Costantino Nivola (chosen by Adriano Pedrosa\, curator of the next Venice Biennale for his exhibition dedicated to exiles around the world) as well as Jorge Eielson (in line with the international celebrations for the centenary of his birth)\, and to Guido Strazza master of Italian abstraction from the post-war period onwards\, linked to Sardinia by his maternal birth and by a strong intellectual friendship with Maria Lai. Strazza donated three monumental works to the MAN\, now exhibited for the first time. URL:https://www.museoman.it/en/event/le-affinita-immaginate/ LOCATION:MAN\, Via Sebastiano Satta 27\, Nuoro\, NU\, 08100\, Italia CATEGORIES:MAN ATTACH;FMTTYPE=image/jpeg:https://www.museoman.it/wp-content/uploads/2024/04/d-INVITO-FRONTE-RETRO-MAN-2-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20240328 DTEND;VALUE=DATE:20240617 DTSTAMP:20241114T162105Z CREATED:20240417T140303Z LAST-MODIFIED:20241114T162105Z UID:4104-1711584000-1718582399@www.museoman.it SUMMARY:Valentina Medda_THE LAST LAMENTATION DESCRIPTION:THE EXHIBITION\n\n\nCurated by Maria Paola Zedda \nThe Last Lamentation it is a funeral ritual for the Mediterranean\, observed by the artist as a place of waiting\, suspension and passing\, embodiment of an absence – a deposit of bodies and the body in itself. \nValentina Medda crosses it in the evocation of a rite widespread throughout the area overlooking its coasts: the ritual crying\, investigated at the end of the 1950s by the anthropologist Ernesto De Martino\, now almost extinct in Southern Italy\, but living on the southern and eastern coasts from Lebanon to Morocco. \nThe exhibition revolves around the video work of the same name The Last Lamentation\, produced between 2023 and 2024\, destined for the collections of the MAMbo – Museum of Modern Art of Bologna: a work shot in Sardinia and created through a research journey in the territory\, which tells the tragedy of the sea through a hypnotic choreographic score \, vocal\, sound. \nThe work reworks ritual codes in contemporary and abstract forms thanks to the collaboration with Gaspare Sammartano\, composer\, Claudia Ciceroni\, composer and vocal trainer\, Attila Faravelli\, for aspects related to field recording. \nHere the relationship between body\, pathos\, landscape is stratified by systems of absence and presence through the participation of a choir of 12 women dressed in black\, standing next to the sea\, an element which by contrast makes the silent presence of the dead more tangible and makes explode their voices. \nThe exhibition also brings together a corpus of works\, many of which are exhibited for the first time\, which the artist created already in the early stages of his study and which converge around the video work\, retracing the moments of its elaboration: collage\, inks on paper\, photographs\, drawings and some sculptural elements. \nSince 2018 Valentina Medda has been carrying out research on the Mediterranean\, which initially led her to work in Beirut in residence at the Beirut Art Residency. We find traces of this experience in the collages present in the exhibition\, which make up a texture that is knotted around an original territory\, Sardinia – the artist’s homeland – to then reconnect with the Mediterranean. \nTogether with the collages\, the evocation of the handkerchiefs that accompany the crying ritual inspired by Cecilia Mangini’s documentary on the Apulian tradition\, crystallize in the process of solidification through the firing of the ceramic\, which burns the soul of the internal fabric leaving a void in the sculpture \, an absence. To complete the restitution of Medda’s research\, an artist’s notebook visually collects the scenes in a poetic storyboard. Images of the sea and some polaroids worked as if this water became skin\, translate a visual horizon\, which is both liquid and corporeal. \nThe project is presented by ZEIT (leader)\, in partnership with MAN Museum of Art Province of Nuoro \, Sardinia Theatre \, Arts Center 404 / VierNulVier (Ghent\, BE) e Flux Factory (New York) in collaboration with the Sardinia Film Commission Foundation and supported by ARS – Shared Art in Sardinia for the Foundation of Sardinia (project sponsor). The cultural partners are Careof \, BIG Bari International Gender Festival \, RAMDOM \, Alchemilla . \nThe artist is supported by the European Large-Scale Network Stronger Peripheries – A Southern Coalition thanks to the support of Sardinia Theatre \, Bunker Ljubljana \, The Mondaino Arboretum . \n“ The work is conceived as a funeral ritual for the sea ” – declares the artist Valentina Medda – “a participatory performance inspired by the tradition of funeral laments in which a group of women dressed in black give life to a shared cry\, a ritual that looks to the choir as the only possible language to tell a contemporary tragedy. In crying for the Mediterranean and its dead – continues the artist – the attempt is to give voice and body back through poetic and political action to those lives considered expendable\, those that do not even deserve mourning\, as the philosopher Judith Butler states. The sea here is an extension of the body\, which loses its boundaries and becomes liquid\, an aqueous creature. The question of where the body ends and where space begins has shaped\, in fact\, all my research over the last 10 years\, through different languages ​​and in different ways\, questioning the distinction between the physicality of the individual and external materiality. in an attempt to create an embodied geography and imagine new hybrid bodies\, finding the thread that binds all vibrant materials\, living and non-living”. \n\n\n\n\n\nVALENTINA MEDDA\n\n\nBiography \nValentina Medda is a Sardinian interdisciplinary artist who lives in Bologna. He studied photography at the ICP – International Center of Photography in New York. His artistic practice unfolds between image\, performance and site-specific interventions\, investigating the relationship between public and private\, body and architecture\, city and social belonging. His work has been exhibited and tours in national and international artistic and performance contexts from Bologna\, Milan\, Cagliari to Paris\, New York\, Beirut\, Brussels and Amsterdam. \nShe was artist in residence at Couvent de Recollets\, Paris; BAR\, Beirut; Cité des Arts\, Paris; Flux Factory\, NY; Les bains connective\, Brussels; MaisonVentidue\, Bologna. In 2019 she was invited to the Grand Tour d’Italie\, an international networking project of the Contemporary General Directorate of the Ministry of Culture. He has received\, among others\, the Cimetta Fund for artistic mobility\, Movin up of the Emilia Romagna Region\, IAP Mentorship of the NYFA – New York Foundation for Arts and Tina Art PRIZE. His project Cities by Night Across Borders was selected among the 19 winners of the European program “Perform Europe”. \nPress offices \nSara Zolla | press@sarazolla.com | Tel. 346-8457982 \nUC studio Press Office – press@ucstudio.it \nChiara Ciucci Giuliani chiara@ucstudio.it – Tel. 392-9173661 \nRoberta Pucci roberta@ucstudio.it – Tel. 340-8174090 URL:https://www.museoman.it/en/event/valentina-medda_the-last-lamentation/ LOCATION:MAN\, Via Sebastiano Satta 27\, Nuoro\, NU\, 08100\, Italia CATEGORIES:MAN ATTACH;FMTTYPE=image/jpeg:https://www.museoman.it/wp-content/uploads/2024/04/WEB-The-Last-Lamentation-c-Valentina-Medda_immagine-coordinata.jpg END:VEVENT END:VCALENDAR