BEGIN:VCALENDAR VERSION:2.0 PRODID:-//MAN_Museo d'Arte della Provincia di Nuoro - ECPv6.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.museoman.it/en/ X-WR-CALDESC:Events for MAN_Museo d'Arte della Provincia di Nuoro REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Rome BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20080330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20081026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20090329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20091025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20100328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20101031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20110327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20111030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20120325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20121028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20130331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20131027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20140330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20141026T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20150329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20151025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20160327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20161030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20170326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20171029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20180325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20181028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20190331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20191027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20200329T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20201025T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20210328T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20211031T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20220327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20221030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20230326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20231029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20240331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20241027T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20250330T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20251026T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20090904 DTEND;VALUE=DATE:20241005 DTSTAMP:20240423T082439Z CREATED:20240423T082439Z LAST-MODIFIED:20240423T082439Z UID:4965-1252022400-1728086399@www.museoman.it SUMMARY:Giusy Calia DESCRIPTION:Giusy Calia\nLove\, please remember\n\n 04.09 – 04.10.2009 \n\n\n\n\n\nFor Autumn in Barbagia\, the MAN\, in collaboration with the Municipality of Bitti\, presents Giusy Calia’s exhibition Love\, please remember . The works exhibited in the room of the Multimedia Museum of Canto a Tenore are accompanied by a video of the artist herself. \n≪The multiple Ophelias who inhabit those worlds of images that Giusy Calia has long created for them\, are beautiful\, silent\, solitary creatures: they emerge\, in those worlds of waters and reflected lights\, of mud and flowers\, graceful and intangible like water lilies\, absorbed in an endless dream\, in a secret\, dilemmatic and painful reminder\, like a nocturnal and starless navigation≫ (Gavina Cherchi). URL:https://www.museoman.it/en/event/giusy-calia-2/ CATEGORIES:Focus Sardegna END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20230714 DTEND;VALUE=DATE:20231114 DTSTAMP:20231130T103254Z CREATED:20231130T103254Z LAST-MODIFIED:20231130T103254Z UID:5117-1689300000-1699837199@www.museoman.it SUMMARY:Matisse - Metamorphoses DESCRIPTION:curated by Chiara Gatti from a project by Sandra Gianfreda\, curator at the Kunsthaus Zürich with Claudine Grammont\, Cheffe du cabinet d’art graphique\, Center Pompidou \nHenri Matisse he is one of the greatest artists of the twentieth century\, but\, paradoxically\, an important part of his production is still overlooked. The figure of Matisse the sculptor is\, in fact\, not known in the most subtle aspects of his research. Although painting has always remained his main expressive modality\, “his” language and the form of investigation of the visible to which he dedicated himself throughout his life\, Matisse simultaneously conducted a reflection on sculpture (and also on engraving) which makes he is one of the most complete artists of the last century. His versatility explored various techniques simultaneously\, with curiosity and keen experimentation. Against the background of this multifaceted intelligence\, Matisse’s sculptural work reveals a parallel life to that of the colourist\, a double soul devoted to matter\, volume\, space\, which deserves to be placed in relation – in terms of processes and goals – with that of other great sculptors of the 20th century\, heirs of Auguste Rodin’s lesson and who became geniuses of the avant-garde. From Brancusi to Giacometti\, from Boccioni to Wotruba. \nFor the first time in Italy\, the MAN Museum today dedicates an exhibition to the sculpture of Henri Matisse. The exhibition project\, edited by Chiara Gatti \, rereads and adapts to the spaces of the Sardinian museum\, the new and complex concept of the Matisse Métamorphoses exhibition organized in 2019 by Kunsthaus in Zurich and the Matisse Museum in Nice. \nA project intended to rethink Matisse\, to reconsider the role of his work in the art panorama of the first half of the 20th century\, in the light of a broader aesthetic research that sees sculpture as the vehicle for new and revolutionary formal solutions. In this necessary insight\, it emerges that the human figure in particular was the main theme of his tension towards synthesis. From the investigation of the body\, posture\, gesture or physiognomy\, Matisse developed a path of geometric reduction of the image which led him towards an abstraction bordering on the radical. \nAs the artist himself stated in 1908 in his Notes d’un peintre: « what interests me most is neither the still life nor the landscape\, it is the figure ». The figure\, not for its pathos\, its lyricism\, moods or existential inflection\, but for its sense of presence in space and its ideal evolution over time. In fact\, Matisse questioned the body in its relationship with the immediate environment and with the changing circumstances over a long period of time. Here then is the evolution of a naturalistic fact into a final synthesis that sublimates contingency into a dimension of absolute perfection. Space conditions\, in turn\, a system of subtle relationships between physical substance and inhabited void\, between gestures and the dynamic lines that they draw in the air. \nThe exhibition begins\, therefore\, with an analysis of the artist’s method of creation and his work of transforming the figure into serial variations. The itinerary aligns sequences of bronzes\, dating from the early 1910s to the 1930s\, and subjects presented in their various subsequent states and combined with the artist’s sources of inspiration\, including photographs of nudes and posing models\, as well as an essential selection of few paintings in which the motifs themselves reveal the double soul of his parallel research\, pictorial and sculptural\, in particular in addressing the dominant themes of the nude\, dance and odalisque. Through around 30 sculptures and around twenty drawings\, engravings\, as well as period photographs and original films\, Matisse’s sculpture will be placed in relation to the subjects of his life\, his magnificent obsessions linked to the female form\, to the physiognomic research on models\, to the attitudes and plasticity of the volumes. \nAgainst the background of this composite research\, here are many unique figures\, such as The tiarees \, of which there are no different stages\, while others are repeated at different intervals\, varying and transforming\, like the famous cycle of Jeannette (IV) . From here the artist develops a conceptual approach that can be described as a sort of method of formal progression. As in a “metamorphosis”\, which explains the title of the exhibition well\, his figures evolve from a natural transcription to a radical synthesis of the visual data. \nEven in his painting – as has been widely studied by critics in the past – it is possible to detect this process of metamorphosis\, without however ever going so far as to consider actual cycles of works as “series”\, but rather as the result of a long process of elaboration which finds in sculpture and graphics\, combined with painting itself\, investigative tools connected to each other\, in the idea of ​​a liquid boundary between techniques. An example of this is there ‘Odalisque of the Museo Novecento in Milan\, which finds subtle and surgical counterparts and relationships with contemporary drawings and bronzes and whose entire sequence the exhibition will align. \nThe exhibition is created in collaboration with Expo poster. \nclick here to listen to the audio guide\nTechnical details\nIn collaboration with Kunsthaus Zürich\, Musée Matisse de Nice\nBilingual ita/en catalogue: Sole24ore Cultura\nExhibition coordination by Rita Moro\, Myrtille Montaud and Manifesto Expo\nTexts by Sandra Gianfreda\, Bärbel Küster\nWith the participation of the Archaeological Museum of Nuoro\nMedia Partnership : Radio Monte Carlo – www.radiomontecarlo.net \nPress office\nSTUDIO ESSECI – Sergio Campagnolo Via San Mattia 16\, 35121 Padua Tel. +39.049.663499\ncontact person Simone Raddi\, simone@studioesseci.net www.studioesseci.net URL:https://www.museoman.it/en/event/matisse-metamorphoses/ CATEGORIES:MAN ATTACH;FMTTYPE=image/jpeg:https://www.museoman.it/wp-content/uploads/2023/11/Matisse17_Foto-Alessandro-Moni.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20231006 DTEND;VALUE=DATE:20231114 DTSTAMP:20231130T103132Z CREATED:20231130T103132Z LAST-MODIFIED:20231130T103132Z UID:5110-1696557600-1699837199@www.museoman.it SUMMARY:Luca Spano - After the Last Image DESCRIPTION:edited by Elisabetta Masala \nThe project is the winner of Photography Strategy 2022 \, promoted by the General Directorate for Contemporary Creativity of the Ministry of Culture \nBetween what is visibly perceptible and what our senses cannot grasp there exists a liminal space\, a web of conflicts and latent potential. A suspended threshold\, which is not only physical but also mental\, which stimulates the passage towards new levels of knowledge. \nThe project After the Last Image by Luca Spano explores the biological and technological limits of seeing\, investigating the relationship between the visible and the invisible and\, in particular\, that gray area between the two: the last known point\, a border area whose mystery invites discovery. \nThe photographic and installation works that compose After the Last Image \, the winning project of the 2022 Strategy Photography competition\, explore the limits of vision and the speculative processes that lead to knowledge of the world. The research residencies carried out during the project\, a fundamental part of the conception\, allowed us to delve into heterogeneous stimuli from different disciplines. At the Kunsthistorisches Institut in Florenz\, Spano explored that academic trend that has as its object the visible and the practices of the gaze\, questioning what an image is and what its role is in contemporary society. \nThe reflections on the ways in which the visual instrument enters into the study of reality then led the artist to associate photographic practice with geography. A period of residence at the Inter-University Department of Territorial Sciences\, Projects and Policies (DIST) of the Polytechnic of Turin allowed him to delve deeper into the figure of the geographer\, a scholar who\, starting from sight\, creates those distortions of space that we commonly call ” maps”. \nDuring his residency at the Deutsches Optisches Museum in Jena\, Germany\, Luca Spano focused on what it means to see in a process that\, starting from optical experience\, comes to consider cultural\, sociological and anthropological implications. \nThe series 12 hidden information reconsiders the centrality of the eye in the relationship between human beings and reality\, taking up a selection of illustrations on vision problems taken from Theodor Axenfeld’s ophthalmology manual (1912)\, consulted by the artist in the Deutsches Optisches Museum. In a similar process of decontextualization\, eye diseases are treated as pure illustrations that\, once abstracted\, resolve themselves into changing and fascinating forms. The pupils and irises thus become planets of a constellation of knowledge. \nThe multiple nuances that make up After the Last Image they push us to broaden our perspectives by stimulating new questions and new visions. The artist encourages us to reflect with greater awareness on the complexity of perceptive phenomena and on the ambiguities that shape our world. It creates a bridge between the known and the unknown and takes us on a journey of crossing the border. That liminal interval full of possibilities\, where we always move our limits a little further. \nBiography \nLuca Spano (1982\, IT) is a multidisciplinary artist. He trained between Europe and the United States\, with a degree in Communication Sciences at Sapienza University in Rome\, an MA in photography at the London College of Communication in London and an MFA in visual arts at Cornell University in Ithaca (US). His work has been exhibited internationally in museums\, galleries and festivals such as: Triennale di Milano\, MACRO (Museum of Contemporary Art in Rome)\, BredaPhoto Festival (NL)\, Malta Festival (PL)\, Saavy Contemporary in Berlin (DE)\, Luis Adelantado Gallery (ES)\, Paolo Erbetta Gallery (IT)\, Caelum Gallery in New York\, Institute of Italian Culture in Paris\, Institute of Italian Culture in Hamburg and the Higher Regional Ethnographic Institute. \nLuca has been artist in residence at Fundacion Botin (ES)\, NoArte Paese Museo (IT)\, Künstlerischen Tatsache (DE)\, Kultur einer Digitalstadt (DE) and visiting artist at Arts Letters and Numbers Residency (US) and others. His work has received awards and grants such as the MEAD Fellowship (UK)\, CCA Grant and Einaudi research grant (US)\, The John Hartell Award (US)\, Graziadei Prize (IT)\, the Premio del Paesaggio Regione Sardegna (IT)\, New Work Prospect Art Grant (US)\, Photography Strategy 2022 MiBACT (IT). \nHe was one of the directors of the OnOff Picture photographic agency based in Rome\, co-director of the NYC Creative Salon organization in New York\, and creator of OCCHIO\, an image research and teaching laboratory based in Cagliari. \nHis work is included in public and private collections such as the MAXXI Museum in Rome\, the Cornell University artist’s book collection\, the Graziadei collection and the Sardinian Higher Regional Ethnographic Institute. \nProject created in collaboration with\nDeutsches Optisches Museum\, Jena (DE)\nInter-University Department of Territorial Sciences\, Projects and Policies (DIST) of the Polytechnic of Turin\, Turin (IT)\nKunsthistorisches Institut in Florenz\, Florence (IT) \nMousse Publishing bilingual catalogue\nCritical texts by: Elisabetta Masala\, Giangavino Pazzola\, Anna Caterina Dalmasso\, Massimo Canevacci\, Luca Spano and Giovanna Corraine\, Franziska Perske and Maria Dienerowitz\, Ute Dercks\, Marco Santangelo \nPress office\nSTUDIO ESSECI – Sergio Campagnolo\nVia San Mattia 16\, 35121 Padua\nTel. +39.049.663499\ncontact person Simone Raddi\, simone@studioesseci.net\nwww.studioesseci.net URL:https://www.museoman.it/en/event/luca-spano-after-the-last-image/ LOCATION:MAN\, Via Sebastiano Satta 27\, Nuoro\, NU\, 08100\, Italia CATEGORIES:MAN ATTACH;FMTTYPE=image/jpeg:https://www.museoman.it/wp-content/uploads/2023/11/luca-spano.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20231010 DTEND;VALUE=DATE:20231114 DTSTAMP:20231130T103410Z CREATED:20231130T103410Z LAST-MODIFIED:20231130T103410Z UID:5102-1696903200-1699837199@www.museoman.it SUMMARY:Die Zauberberge - The enchanted mountains DESCRIPTION:6 October – 12 November 2023\nInauguration Friday 6 October\, 6.30 pm \nTalk Saturday 7 October 2023\, 12pm\nOn the occasion of Contemporary Art Day\, AMACI – Association of Italian Contemporary Art Museums \nNuoro and Monte Verità\, it all started here. In two ideal islands\, two border lands and\, at the same time\, of belonging. Magnetic places rich in history\, which welcomed the protagonists of the collective exhibition last April Die Zauberberge_The enchanted mountains . The residencies\, created in collaboration with the Monte Verità Foundation of Ascona\, involved six artists\, three Sardinian and three Swiss\, who discussed common themes during the research period. \nThe artists of Swiss origin – Tonatiuh Ambrosetti\, Maya Hottarek\, Lisa Lurati – carried out an investigation into the rich local identity in the Sardinian territory. At the same time\, three young Sardinian artists – Giaime Meloni\, Elena Muresu\, Marco Useli – have inhabited Monte Verità and the spaces of the famous “hill of utopia”\, where architecture\, art and dance have always dialogued in a virtuous way. An anarchist paradise that has attracted thinkers\, painters\, writers\, philosophers\, designers from every corner of Europe: from the anarchist Kropotkin to the Hungarian choreographer Rudolf von Laban\, from the Dadaist Hugo Ball to the architect Walter Gropius\, from the artist Hans Arp to Karl Gustav Jung\, up to the great curator Harald Szeemann. \nThe works exhibited in Die Zauberberge_The enchanted mountains they represent the result of this research\, a contemporary look at places symbolic of primordial components\, of spiritualism and autarky. They are photographs\, sculptures\, graphics\, installations\, works forged from a unique experience\, from the journey and isolation\, from the wild and lush beauty of nature\, from the absolute breath of woods of archaic memory. \nArtists on display \nTonatiuh Ambrosetti \nBorn in Lugano in 1980\, in 2006 he graduated from the ECAL – École cantonale d’art de Lausanne\, where in 2012 he obtained a professorship. In 2006 he founded the photographic studio Daniela et Tonatiuh together with Daniela Droz. In his work he develops the conflictual relationship between man and nature\, carrying out research on non-objective photography that goes beyond the conventional boundaries of the image to also include sculpture\, engraving\, drawing and sound and video installations. His works have been exhibited in festivals\, galleries and museums of international importance\, including: the first edition of Alt+1000 in Rossiniere (2008); the ETH Hönggerberg forum in Zurich (2009); the Royal Danish Academy of fine arts\, Copenhagen\, Denmark (2011); Bâtiment d’Art Contemporain\, Genève (2014); Le musée des Arts Décoratifs\, Paris\, France (2015); The PRINTSPACE\, London\, UK (2016); the Center d’art Contemporain Yverdon-les-Bain (2016). \nMaya Hottarek \nBorn in 1990\, she is an artist who works with different materials and in different fields\, from ceramics to cinema\, from sound to everyday objects. He studied visual arts at the Bern University of the Arts and at the Institut Kunst in Basel. One of his main interests is to articulate the complex interactions between the individual\, society\, economy and nature. Among the main exhibitions\, mention should be made of exhibitions at the N/A/S/L in Mexico City\, at the Liste Art Fair in Basel and at the Kunsthaus in Appenzell. \nLisa Lurati \nBorn in Lugano in 1989\, she trained at the Vevey photography school and at the Institut Kunst in Basel. His work oscillates between an almost decorative meditation and an aesthetic celebration which\, upon closer inspection\, reveals a kaleidoscopic universe of symbols and signs that is never fully explained but which nevertheless manages to sustain a curious coherence. Recent personal exhibitions include: In-between things \, Ann Mazzotti Gallery\, Basel\, 2022; Raving Cosmos \, CACY\, Yverdon-les-Bains\, 2021; Nebula \, Forma Gallery\, Lausanne\, 2020; Joke. Very cheerful\, almost early\, Photoforum Pasquart\, Biel\, 2018. \n  \nGiaime Meloni \nBorn in Cagliari in 1984\, he is a photographer with a PhD in architecture\, who currently lives between two islands: Île-de-France and Sardinia. His work empirically explores the ways in which physical space is reproduced and invented. His research has been presented in international publications and conferences (Canada\, France\, Italy\, Portugal). In 2017 he was nominated among the finalists for the Graziadei Prize with his project Das Unheimliche . In 2019 he was selected by CAMERA – Italian Center for Photography – to take part in the FUTURES program supported by the European Union. In the same year he was among the finalists of the Francesco Fabbri Prize for contemporary photography. Since 2022 he has been an associate professor at Ecole Nationale Supérieure d’Architecture de la Ville et du Territoire de Paris Est\, where he teaches the arts and techniques of representing space. \nElena Muresu \nPhotographer\, visual artist and performer\, born in Alghero in 1990. He obtained a Master’s degree in Cultural Management for the Promotion of the Territory at 24Ore Business School\, a degree in Painting at the Academy of Fine Arts of Sassari and in Photography at the Academy of Fine Arts of Brera. She develops two artistic and professional paths in parallel: on the one hand photography and video and on the other urban culture\, which push her towards the exploration of multiple languages ​​to investigate the theme of the relationship between human beings and their territory. Since 2021 she has been a photographer and videomaker for Antonio Marras. In 2021 he exhibited at the XVII International Architecture Exhibition in Venice with the video documentary “Skatepark Italy” (2022 finalist at Via dei Corti\, Independent Film Festival\, Catania). \nMarco Useli \nPainter and engraver\, born in Nuoro in 1983. Graduated from the Academy of Fine Arts in Florence in 2007\, after two years in London he attended the master’s degree in Contemporary Design with Stone at the Polytechnic of Milan. Since 2012 he has been part of Milano Printmakers. He develops research in the field of art graphics between Milan and Sardinia\, where in 2017 he opened an artistic studio in Dorgali. He currently teaches Design Planning at the Francesco Ciusa art high school in Nuoro. URL:https://www.museoman.it/en/event/die-zauberberge-the-enchanted-mountains/ LOCATION:MAN\, Via Sebastiano Satta 27\, Nuoro\, NU\, 08100\, Italia CATEGORIES:MAN ATTACH;FMTTYPE=image/jpeg:https://www.museoman.it/wp-content/uploads/2023/11/mostraMAN-2.jpg END:VEVENT END:VCALENDAR